Chicas tristes (Sad Girlz)
Summer beckons promisingly by the pool, where La Maestra and Paula are training intensively to be selected for a championship. Even when they’re not doing laps, the best friends are found spending their time together by going plane-spotting, waiting for a solar eclipse or colourfully chalking the sidewalks of Mexico City. Their friendship however transforms when Paula becomes the victim of sexual violence at a party. In her impressive debut film, Mexican filmmaker Fernanda Tovar focuses on La Maestra’s gentle but clumsy attempts to help Paula deal with her trauma. Tovar emphasises the colour in her characters’ lives and, despite the darkness, has them bathing in a sea of light.
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Bucking Fastard
Twin sisters Jean and Joan (Kate and Rooney Mara) speak in unison, dream the same dreams and love the same man… who is taking them to court. A strange but - mostly - true story, that’s tailor-made for Werner Herzog. Bucking Fastard premiered at the Venice Film Festival, where in 2025 the iconic German director was awarded the Golden Lion for Lifetime Achievement.
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The Uprising
After the devastating plague epidemic, an English farmer refuses to accept the taxes he can no longer afford to pay. His resistance grows into a revolt that threatens to throw the entire country into turmoil. With Paul Greengrass, the director of the Jason Bourne trilogy, at the helm, you can expect plenty of hard-hitting action.
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Wildwood
After her brother vanishes into the clutches of mysterious crows, Prue and classmate Curtis venture beyond Portland into Wildwood, a secret realm of magic, talking creatures and lurking threats. Their search collides with a ruler destroyed by grief. A dark fantasy turned into a visually dazzling adventure stop-motion animated film.
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A Family (Een Familie)
In Een familie (A Family), Mees Peijnenburg explores how a painful divorce affects not only parents but also their children, sixteen-year-old Nina and fourteen-year-old Eli. Told from both siblings’ perspectives, the film reveals their struggle between anger, loyalty and the need to be seen. A nuanced family drama built on intimate moments rather than big emotional gestures.
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Why Do I See You In Everything?
Resisting all types of easy categorisation, Syrian director Rand Abou Fakher’s full length feature debut Why Do I See You In Everything? is a disorienting hybrid documentary that contrasts violence with tenderness, and displacement with belonging. A poetic plaint that proves home truly is where the heart is, by focusing on the shared history of two lifelong friends.
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Red Carpet tonight
red carpet tonight
red carpet tonight
red carpet tonight
La Collectionneuse (The Collector)
The Contes moraux follow a similar narrative pattern: a man who is already committed to a woman finds himself drawn to a second woman, leading to a moral crisis. The light-hearted, ironic La collectionneuse fits perfectly into this tradition and depicts temptation, jealousy and moral self-control, in which psychological games probe the boundaries between lust and self-deception.
Classics
Chronovisor
Chronovisor, the daring indie debut by Kevin Walker and Jack Auen, is an armchair mystery about a reclusive scholar and a device that can reveal the past. Blending science fiction, history and investigation, the film draws on the legend of the chronovisor - a machine said to make the past visible - and features music by Gustav Holst.
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The Weight
Padraic McKinley’s gripping debut throws Ethan Hawke into a brutal fight for freedom. In 1933, convict Samuel Murphy must smuggle a fortune in gold through unforgiving wilderness to escape prison and save his young daughter from adoption. With a handpicked crew, he faces a nerve-shredding ordeal of distrust, betrayal, violence and exhaustion.
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Un bon petit soldat
In Un bon petit soldat, Stéphane Brizé returns to one of his favourite battlegrounds: the modern workplace. Alba Rohrwacher is superb as Carla, the newly appointed HR manager of a major insurance company, tasked with reconciling employee wellbeing with relentless performance targets. When she uncovers a case of toxic management, her faith in the corporate playbook begins to crack. In a claustrophobic world of employer branding, happiness workshops and endless targets, Brizé dissects the human cost of a system in which even wellbeing is expected to deliver results.
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